Michael Germana teaches courses in American Literature and American Studies in WVU’s Department of English. His research explores the intersections of critical race theory, popular cultural studies, theories of temporality, and economics in literature. He is the author of two books: Standards of Value: Money, Race, and Literature in America examines how popular cultural inflections of U.S. monetary policy debates frame the discussion of racial difference in American fiction from the 1850s-1950s, and Ralph Ellison, Temporal Technologist shows how Ellison’s philosophy of temporality is central to his understanding of and claims to social justice. His essays on money and American literature have been published in American Literary History, American Periodicals, and Arizona Quarterly, and his work on Ralph Ellison has either appeared or is forthcoming from Oxford University Press, African American Review, and the Iowa Journal of Cultural Studies. He is a founding and lifetime member of the Ralph Ellison Society.
- American Studies
- 19th and 20th Century American Literature
- Critical Race Theory
- Popular Culture
- Ralph Ellison
Ellison, Temporal Technologist. Oxford University Press. Forthcoming December
- Standards of Value: Money, Race, and Literature in America. University of Iowa Press, 2009.
of The New Territory: Ralph Ellison and
the Twenty-First Century. African
American Review. Forthcoming.
Photography and Atemporal Cinema: The Link Between Ralph Ellison’s Polaroids
and Three Days Before the Shooting…” Iowa Journal of Cultural Studies. 17.1
of Richard Wright in a Post-Racial
Imaginary. Ed. Alice Mikal Craven, William E. Dow, and Yoko Nakamura. American Literary History Online Review.
Series VIII. 2016.
Balances of Deceit; or, What Does Silver Mean to Me?: Constance Fenimore
Woolson’s ‘Castle Nowhere’ and the Money Question During Reconstruction.” Witness to Reconstruction: Constance
Fenimore Woolson and the Postbellum South, 1873-1894. Ed. Kathleen Diffley.
University of Mississippi Press, 2011. 17-33.
and Con Artists: Money, Literature, and Subjectivity.” American Literary History. 21.2 (2009): 296-305.